By Eric Mazur, Kate McCarthy
Exploring the blurred boundary among faith and pa tradition, God within the Details bargains a provocative examine the breadth and endurance of non secular topics within the American attention. This re-creation displays the explosion of on-line job because the first version, together with chapters at the religious implications of social networking websites, and the hazy line among genuine and digital spiritual existence within the on-line neighborhood Second Life. additionally new to this variation are chapters at the migration of black male expression from church buildings to athletic stadiums, new configurations of the sacred and the economic, and put up 9-11 spirituality and non secular redemption via an research of vampire drama, True Blood. renowned chapters on media, activities, and different popular culture reviews were revised and up-to-date, making this a useful source for college kids and students alike.
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Additional resources for God in the Details: American Religion in Popular Culture
Darkness’s “The Promised Land” summarizes the album’s recurring themes: alienating work, intergeneration conﬂict, relationships that become traps—all made more painful by the awareness, however vague, that another kind of life is possible. ” Here the promised land has no more speciﬁc content than its contrast with conventional life. Importantly, it is evoked through violent imagery: explosions, knife ﬁghts, twisters. It is as if these acts of destruction are the only way the speaker can convince himself of his own existence.
Journal of the American Academy of Religion 59, 4 (fall): 743–65. Fluck, Winfried. 1987. ” Journal of Popular Culture 21, 3 (winter): 31–46. Geertz, Cliﬀord. 1973. The Interpretation of Cultures: Selected Essays by Cliﬀord Geertz. New York: Basic Books. Hall, David, ed. 1997. Lived Religion in America: Toward a History of Practice. Princeton, NJ: Princeton University Press. Hammond, Phillip E. ed. 1985. The Sacred in a Secular Age. Berkeley: University of California Press. ——1992. Religion and Personal Autonomy: The Third Disestablishment in America.
Part I Popular myth and symbol At a conference on using popular culture in the university classroom, an English professor makes the case that the popular 1990s sitcom Friends was a clever repackaging of Shakespeare’s Much Ado about Nothing, that Star Wars retells Book One of The Faerie Queene, and that The Simpsons is really a contemporary take on Goldsmith’s She Stoops to Conquer. A given culture, such parallels would suggest, has a ﬁnite number of good stories to tell. But good stories are capable of inﬁnite retelling.
God in the Details: American Religion in Popular Culture by Eric Mazur, Kate McCarthy