By Kristin Celello, Tamara Marston, Audible Studios
By way of the top of worldwide struggle I, the skyrocketing divorce price within the usa had generated a deep-seated anxiousness approximately marriage. This worry drove middle-class to hunt recommendation, either specialist and renowned, so as to advance their relationships. In Making Marriage paintings, historian Kristin Celello bargains an insightful and wide-ranging account of marriage and divorce in the United States within the 20th century, concentrating on the improvement of the assumption of marriage as "work."Examining the wedding counseling occupation, suggestion columns in women's magazines, videos, and tv exhibits, Celello describes how execs and the general public labored jointly to outline the character of marital paintings during the 20th century. She additionally demonstrates that the maxim of "working at marriage" usually masked vital inequalities in regard to men's and women's roles inside marriage. most mavens, for example, assumed that ladies wanted marriage greater than males and therefore held better halves answerable for marital luck or failure. Making Marriage paintings offers a brand new interpretation of married lifestyles within the usa, illuminating the interplay of marriage and divorce over the century and revealing how the concept that marriage calls for paintings turned a part of american citizens' collective recognition.
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Extra resources for Making Marriage Work: A History of Marriage and Divorce in the Twentieth-Century United States
Jerry and Ted married for love, but Paul, who was heavily intoxicated when the accident occurred, married Dorothy only out of guilt. While Jerry accedes to Ted’s insistence of a divorce, Dorothy refuses to concede marital defeat and will not give Paul the divorce he so desperately desires. Comparing herself to Dorothy, Jerry realizes the many ways that she has wronged her own union with Ted. ’’∂ She resolves to ﬁnd Ted, and the two have an emotional reunion in which they promise to make their new marriage a success.
Once married, they expected to place their obligations to one another and to their growing families above those to their extended families and their civic responsibilities. ∞π This ideal, of course, was often di≈cult to achieve. The Victorian belief in the innate di√erences between men and women, in particular, impeded the full realization of mari- the chaos of modern marriage 17 tal intimacy and romance. ∞Ω One root of their concern was the fact that many nineteenth-century Americans believed love to be an uncontrollable emotion.
A group of male seniors approached the administration at the University of North Carolina and asked that a course about marriage be added to the curriculum. The university president agreed to their request and hired Groves to develop such a class. By the mid-1930s, Groves had added a similar course for 32 the chaos of modern marriage women. Ω≠ The syllabi for marriage education classes deviated from traditional academic curricula as educators worked to present students with a blend of ‘‘scientiﬁc’’ facts and pragmatic advice on subjects ranging from individual personality assessment, ﬁnding a potential mate, and adjusting sexually, economically, and psychologically to married life.
Making Marriage Work: A History of Marriage and Divorce in the Twentieth-Century United States by Kristin Celello, Tamara Marston, Audible Studios