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His speech is a metalanguage, it 'acts' nothing; at the most, it unveils--or does it? To whom? His task always remains ambiguous, hampered by its ethical origin. He can live revolutionary action only vicariously: hence the self-conscious character of his function, this something a little stiff and painstaking, muddled and excessively simplified which brands any intellectual behavior with an openly political foundation ('uncommitted' types of literature are infinitely more 'elegant'; they are in their place in metalanguage).

It is easy to understand that at such a degree of solidification, style calls for a deciphering. P. Richard are an example of this necessary critique of styles. 13 A subjunctive form because it is in the subjunctive mode that Latin expressed 'indirect style or discourse', which is an admirable instrument for demystification. 14 'The fate of capitalism is to make the worker wealthy,' Paris-Match tells us. 15 The word 'capitalism' is taboo, not economically, but ideologically; it cannot possibly enter the vocabulary of bourgeois representations.

Ethically, there is a kind of baseness in hedging one's bets. 8 The freedom in choosing what one focuses on is a problem which does not belong to the province of semiology: it depends on the concrete situation of the subject. 9 We receive the naming of the lion as a pure example of Latin grammar because we are, as grown-ups, in a creative position in relation to it. I shall come back later to the value of the context in this mythical schema. 10 Classical poetry, on the contrary, would be, according to such norms, a strongly mythical system, since it imposes on the meaning one extra signified, which is regularity.

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Myth today

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